New Year's Eve.
Last year I wrote that I felt that everything was full of potential.
I saw The Dresden Dolls perform last New Year's Eve. For the first time.
I wrote this afterward:
She takes the time to have moments with people. There was this tiny goth teenager who was obviously saying something both intimate and long and Amanda was completely focused on her the entire time. No glancing around looking for her bandmates, no rushing people off. Just a genuine connecting to person after person after person. Sign this, smile for a photo, hug that fan, sign this, crazy face for a photo, hug, sign, smile, sign, crazy face, sign, smile, hug. At 2AM after playing a two hour long set, with the flu.
I wouldn't want her life. The crowd congealing around you, each person in it wanting a piece of you, a scribble on a napkin, an image of you in their iPhone. I didn't want to add to that, but I wanted my piece too. A delicate balance.
She is still that generous with her time and her self, but I've learned so much more about those little post-show connections after watching it happen again and again for the better part of a year.
The people who come to the shows aren't a swarm of hungry, desperate insects. They don't want pieces of her that she can't grow back.
They want to say thank you.
They love her and they give back more than they take.
The only difference this year is that she did all the hugging and signing and crazy photo faces at 6AM, not 2AM. And I felt comforted to watch it rather than anxious.
---
New Year's Eve was constant motion. The private party was a huge success. I was the door girl, which turned out to be way more complicated than I thought. There was a lovely girl named Pi who helped me the entire evening. I wish I'd gotten her email address, I wanted to give her some merch and explain that she saved me from spending the entire night frozen and stressed.
Midnight was... beautiful. Seventy-five people, completely silent even as we heard the screams and horns and cheering from outside. Amanda took my hand and we looked at each other and said nothing.
After midnight the night truly began. We made our way to the venue, where the bouncer wouldn't let us in. Jeff (the tour manager) explained that we were the next act. The bouncer said he didn't care. They argued. Amanda shivered.

We got nowhere until Jeff's girlfriend (also named Amanda) realized there was another door. We walked over and Jeff's Amanda said, "We're the next show, can we wait inside since it's so cold?" and the bouncer told us that was fine.
The moral of the story is to try another door.
Once we got in there was chaos from the midnight Patti Smith show cleaning up. We didn't get to set up merch until a half hour before doors. On a GOOD night I could do it in 45 minutes, but this was not a good night and a half hour is not 45 minutes. We were still setting up when people came in, but Katrina managed to sell anyway. She's an excellent merchy.
Katrina, after consuming only sugar free Redbull all day:

The show itself was epic. Amanda played Trout Heart Replica. I was sad that I didn't get to hear it in San Francisco but I think our version was even better. I hope someone recorded it. I stood with Katrina and did my best not to cry.
She played Hallelujah, too, and Another Year, two of my favorites that I have never heard live.
Hallelujah was incredible.
I did cry that time. I cried from happy, I cried from tired, I cried from conflicted, I cried from lucky, I cried from ALIVE.
After the show was signing and after signing we drove to Brooklyn. Amanda taught me how to parallel park as the sun came up.
I made it home around 8:30AM, after about 21 hours of work (minus one hour of tattooing). It was perfect. Exhausting, but perfect.
Love,
Beth
ps - Did I mention that the Other Girl with a Key Tattoo is here?

Last year I wrote that I felt that everything was full of potential.
I saw The Dresden Dolls perform last New Year's Eve. For the first time.
I wrote this afterward:
She takes the time to have moments with people. There was this tiny goth teenager who was obviously saying something both intimate and long and Amanda was completely focused on her the entire time. No glancing around looking for her bandmates, no rushing people off. Just a genuine connecting to person after person after person. Sign this, smile for a photo, hug that fan, sign this, crazy face for a photo, hug, sign, smile, sign, crazy face, sign, smile, hug. At 2AM after playing a two hour long set, with the flu.
I wouldn't want her life. The crowd congealing around you, each person in it wanting a piece of you, a scribble on a napkin, an image of you in their iPhone. I didn't want to add to that, but I wanted my piece too. A delicate balance.
She is still that generous with her time and her self, but I've learned so much more about those little post-show connections after watching it happen again and again for the better part of a year.
The people who come to the shows aren't a swarm of hungry, desperate insects. They don't want pieces of her that she can't grow back.
They want to say thank you.
They love her and they give back more than they take.
The only difference this year is that she did all the hugging and signing and crazy photo faces at 6AM, not 2AM. And I felt comforted to watch it rather than anxious.
---
New Year's Eve was constant motion. The private party was a huge success. I was the door girl, which turned out to be way more complicated than I thought. There was a lovely girl named Pi who helped me the entire evening. I wish I'd gotten her email address, I wanted to give her some merch and explain that she saved me from spending the entire night frozen and stressed.
Midnight was... beautiful. Seventy-five people, completely silent even as we heard the screams and horns and cheering from outside. Amanda took my hand and we looked at each other and said nothing.
After midnight the night truly began. We made our way to the venue, where the bouncer wouldn't let us in. Jeff (the tour manager) explained that we were the next act. The bouncer said he didn't care. They argued. Amanda shivered.

We got nowhere until Jeff's girlfriend (also named Amanda) realized there was another door. We walked over and Jeff's Amanda said, "We're the next show, can we wait inside since it's so cold?" and the bouncer told us that was fine.
The moral of the story is to try another door.
Once we got in there was chaos from the midnight Patti Smith show cleaning up. We didn't get to set up merch until a half hour before doors. On a GOOD night I could do it in 45 minutes, but this was not a good night and a half hour is not 45 minutes. We were still setting up when people came in, but Katrina managed to sell anyway. She's an excellent merchy.
Katrina, after consuming only sugar free Redbull all day:

The show itself was epic. Amanda played Trout Heart Replica. I was sad that I didn't get to hear it in San Francisco but I think our version was even better. I hope someone recorded it. I stood with Katrina and did my best not to cry.
She played Hallelujah, too, and Another Year, two of my favorites that I have never heard live.
Hallelujah was incredible.
I did cry that time. I cried from happy, I cried from tired, I cried from conflicted, I cried from lucky, I cried from ALIVE.
After the show was signing and after signing we drove to Brooklyn. Amanda taught me how to parallel park as the sun came up.
I made it home around 8:30AM, after about 21 hours of work (minus one hour of tattooing). It was perfect. Exhausting, but perfect.
Love,
Beth
ps - Did I mention that the Other Girl with a Key Tattoo is here?

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